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・ Joe Pignatano
・ Joe Pigott
・ Joe Pikula
・ Joe Pilkington
・ Joe Ongley
・ Joe Onosai
・ Joe Orengo
・ Joe Orewa
・ Joe Oriolo
・ Joe Orlando
・ Joe Oros
・ Joe Orrell
・ Joe Orseno
・ Joe Orsulak
・ Joe Ortiz
Joe Orton
・ Joe Osborn
・ Joe Oscar Eaton
・ Joe Osmanski
・ Joe Ossanna
・ Joe Ostrowski
・ Joe Oteng-Adjei
・ Joe Owen
・ Joe Owens
・ Joe P. Eagle and D. R. Boone Building
・ Joe P. Martínez
・ Joe P. Tolson
・ Joe Pace
・ Joe Pace (musician)
・ Joe Pacheco


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Joe Orton : ウィキペディア英語版
Joe Orton

John Kingsley "Joe" Orton (1 January 1933 – 9 August 1967) was an English playwright and author. His public career was short but prolific, lasting from 1964 until his death three years later. During this brief period he shocked, outraged, and amused audiences with his scandalous black comedies. The adjective ''Ortonesque'' is sometimes used to refer to work characterised by a similarly dark yet farcical cynicism.
==Early life==
Orton was born at Causeway Lane Maternity Hospital, Leicester, to William A. Orton and Elsie M. Orton (nėe Bentley). William worked for Leicester County Borough Council as a gardener and Elsie worked in the local footwear industry until tuberculosis cost her a lung. When Joe was two years old, they moved from 261 Avenue Road Extension in Clarendon Park, Leicester, to the Saffron Lane council estate. He soon had a younger brother, Douglas, and two younger sisters, Marilyn and Leonie.
Orton attended Marriot Road Primary School, but failed the eleven-plus exam after extended bouts of asthma, and so took a secretarial course at Clark's College in Leicester from 1945 to 1947.〔''Stage and Screen Lives'', 9, Oxford University Press, 2001, p. 249.〕 He then began working as a junior clerk on £3 a week.
Orton became interested in performing in the theatre around 1949 and joined a number of different dramatic societies, including the prestigious Leicester Dramatic Society. While working on amateur productions he was also determined to improve his appearance and physique, buying bodybuilding courses, taking elocution lessons, and trying to redress his lack of education and culture. He applied for a scholarship at the Royal Academy of Dramatic Art (RADA) in November 1950. He was accepted, and left the East Midlands for London. His entrance into RADA was delayed until May 1951 by appendicitis.
Orton met Kenneth Halliwell at RADA in 1951 and moved into a West Hampstead flat with him and two other students in June of that year. Halliwell was seven years older than Orton and of independent means, having a substantial inheritance. They quickly formed a strong relationship and became lovers.
After graduating, both Orton and Halliwell went into regional repertory work: Orton spent four months in Ipswich as an assistant stage manager; Halliwell in Llandudno, Wales. Both returned to London and began to write together. They collaborated on a number of unpublished novels (often imitating Ronald Firbank) with no success at gaining publication. The rejection of their great hope, ''The Last Days of Sodom,'' in 1957 led them to solo works.〔Lahr (1978) pp.109–111〕 Orton wrote his last novel, ''The Vision of Gombold Proval'' (posthumously published as ''Head to Toe''), in 1959. He would later draw on these manuscripts for ideas; many show glimpses of his stage-play style.
Confident of their "specialness", Orton and Halliwell refused to work for long periods. They subsisted on Halliwell's money (and unemployment benefits) and were forced to follow an ascetic life to restrict their outgoings to £5 a week. From 1957 to 1959, they worked in six-month stretches at Cadbury's to raise money for a new flat; they moved into a small, austere flat at 25 Noel Road in Islington in 1959.

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